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Monday, March 31, 2014

Home Again, Home Again


We took my grandmother to a Mexican restaurant last January to celebrate her 92nd birthday. An enormous sombrero was placed on her head and our table was suddenly surrounded by a circle of wait staff singing Happy Birthday in Spanish, an indistinguishable birthday dessert topped with a cloud of whipped cream and a candle placed before her. My grandmother has been mostly deaf for as long as I can remember, relying on a pair of hearing aids, and in the midst of all this commotion in her honor, she sat reading one of her birthday cards and didn’t look up once.

She now lives in a place where the aids call her Millie, a nickname she always hated, and I suppose it’s for the best she can’t hear them. Mildred, a California bred mother of three sons who lived in the same house on 2812 Windsor Drive in Alameda with my grandfather for close to fifty years, was the kind of woman who had always been petite, and in the black and white photos that are now framed (almost obsessively) all over my house, wore cardigan sweaters and button up suits and crisp collars, and had broken her nose one evening after leaving a restaurant, taking a spill while holding hands and skipping down the sidewalk with me when I was four.

My grandparents had always been older, even when my brother and I were quite small. Our family moved up to Bellingham in 1991, and my grandparents came to visit us often during those initial years. I can’t remember if we were still living in California or if we had moved to Washington when my grandparents stayed with us and our Cocker Spaniel, Midge, was found chewing one of my grandmother’s hearing aids under the bed. It was a visit down to California, when I tried on one of my grandmother’s rings and couldn’t get it back over my knuckle, my Uncle Don attempting to slide it off with a stick of butter, and my father eventually had to take me to a jeweler to saw the thing apart. I remember sitting with her in department store fitting rooms, my brother and I small kids amidst piles of clothing and Grandma in her undies. I remember the Nutcracker Ballet in San Francisco and how I had complained of the crashing cymbals being too loud. The BART train, and how she had explained to me that part of the tunnel ran under the Estuary. My grandfather’s coffee mug that had looked like a blue jean pocket with his name “Bob” stitched on it. When I went to visit my grandmother recently, I asked her if she remembered that mug, and told her we had both married men named Robert, and she looked at me and said “your hair is so black.”

She moved to Bellingham several months ago after living in California all her life, after doing Meals on Wheels every week with her sister, Wilda, after years of telling us all she wanted was for everyone to be together again. When she first moved, the family had gathered in her room and she had interrupted someone to say, “Anne’s skin hasn’t seen the light of day.” We told her that same day I was pregnant, that her first great-grandchild would be born in June.


These days, she talks about “Tommy being in an accident,” while my Uncle Tom is at home in California doing just fine, and about how she had a hard time finding a parking spot at 2812, and I keep thinking about how my Grandpa Bob used to say “home again, home again, jiggity jig” every time he pulled that station wagon into their driveway, and how I now sit in my grandmother’s room and watch the aids, two girls much younger than me, as they strap something around her back and lift her from her wheelchair by a machine I’ve never seen before, wheeling her into the other room in order to lower her down to use the toilet, and how I’m no longer pregnant because four months in my baby didn’t make it, we recently received his ashes in a cardboard box in the mail, and that I just want to return to 2812 with her and Grandpa Bob, on that autumn day when we collected the reddest leaves in a single plastic bag.


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Monday, March 17, 2014

Ode to Philip Seymour Hoffman


Philip Seymour Hoffman died two days after my pregnancy was terminated. It was Super Bowl Sunday. I was standing in the bathroom, still high on pain medication from my operation, and my husband had opened the laptop in the living room to find the news of his death announced to the world, amidst all this excitement about football and food. My husband said some kind of “oh no” that alerted me to the fact that something was wrong and I had no patience to find out what it was, seeing as I had just weeks before sat in an ultrasound room, wherein the technician left us and returned with a doctor, just as we had confirmed that our son’s name would be Clark, just as we started talking about camping and Star Wars and all of the things we would teach him, wherein the doctor handed me a box of Kleenex and said, “Oh God, this is so hard” and started crying before she could even spit out the news. I had the feeling that nothing could surprise me since the worst had already happened, but if something was wrong I needed to know and I needed to know immediately.

I sat on the sofa and Robert held me as I sobbed. I was wearing a dark purple dress with gold buttons, a maternity dress that had reminded me of something Princess Diana might have worn in the 80’s. I had purchased it at the Salvation Army anticipating a growing baby, and although the baby was gone, I had worn it that morning to church. Although it sounds narcissistic for me to say it out loud, somehow losing my child and my favorite actor within days of each other felt like a personal attack, a cruel joke, that the universe was out to get me, and although I’d known many who claimed to love Philip Seymour Hoffman, I didn’t believe anyone could possibly love him like I did.

I was a late bloomer, and it took me a long time before I really started appreciating good film. All of my celebrity crushes were the typical pretty boys like Chris O’Donnell (when he married Caroline Fentress in 1997, I was a sophomore in high school and I remember reading about it in a newspaper at an airport in California and crying because my chances were over). I came from that special time in the 1990’s when Jared Leto’s blue, blue eyes first appeared on My So Called Life and Leonardo DiCaprio’s face was posted on the bedroom wall of every girl I knew. It was later, after college, after living in Seattle, when I started writing seriously and looking to everything around me, that I really allowed myself to enter completely into a film and let it actually break my heart. It was around this time when I watched all of Paul Thomas Anderson’s films, and started seeing Philip Seymour Hoffman everywhere. I was living in Idaho when the movie Doubt was released in theaters, and went to see it with a good friend of mine whose voice actually sounds like Philip Seymour Hoffman’s, which was one of the reasons I wanted to befriend him in the first place. I was in a poetry workshop with him and I knew nothing about poetry, but my heart stopped when I first heard him read a poem because I felt like I already knew him. When Philip Seymour Hoffman spoke onscreen, it was always a freezing of time and space moment for me. There was something beautiful and complicated about him, something I felt I understood in my soul, and although it’s ridiculous to feel like we know celebrities on a personal level, and impossible to imagine they could know us, I always found myself waiting with bated breath for his next film to come and save me.

I dreaded that moment at the Academy Awards (the show aired exactly one month after Philip Seymour Hoffman's death) where they pay homage to celebrities lost. As the faces scanned slow and painful on the screen, his was the final one, as I knew it would be. There was also a tribute to Judy Garland and The Wizard of Oz, and while cherished scenes from the movie and that legendary yellow brick road rolled, and that perfect rose of a nose of the young Judy Garland appeared, I started crying and couldn’t stop, and I didn’t know why until the next morning when my mother and I met for coffee, and she told me she had cried while watching the Judy Garland tribute because during our time in Seattle for my hospital visits, she had heard Somewhere Over the Rainbow playing in a drugstore and it had reminded her of Clark. It will forevermore be the song that reminds me of the baby I lost, and of Philip Seymour Hoffman, and as a human on this earth I know the possibilities of the afterlife are infinite and there is no way for my mind to comprehend what may or may not be, but it gives me some peace to imagine they’ve somehow met up there, and I just have to wait a little bit longer.

If happy little bluebirds fly beyond the rainbow why oh why can’t I?


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